Figure 1: Kong Film Poster. The creative force that is King Kong (1933) was directed and produced by Merian C. Cooper and Ernest B. Schoedsack and written by the visionary minds of James Ashmore Creelman and Ruth Rose. Devised from the ideology of beauty and the beast, it shows Kong to lose sense of the world around him in order to ‘protect’ Ann (Fay Wray), who throughout the film since after meeting Kong is clearly distressed and anxious of Kong’s possessive tendencies. Forming a whirlwind of cinematography as it “plunders every trick in the book to create its illusions” (Ebert, 2002) for the audiences at the time of its release date. ( Figure 1 ). Figure 2: Ann kidnapped by tribes' people. At the time of King Kong’s (1933) release America was at the peak of the Great Depression (1929-1939), most citizens were unemployed and some even left homeless due to companies going out of business. So, for Hollywood to put out the blockbuster King Kong (1933) it
Hi Jasmine,
ReplyDeletea solid OGR submission, well done.
I think that you already heading in the right direction, and it will be great to see a more current interpretation of Baucis, rather than the more rutsic approaches we have seen in the past.
Materiality is going to be really important as you want your building to be light and airy in order to exist in this place.
Look at the architecture of Santiago Calatrava and Zaha Hadid, Frank Gehry's fish sculpture and the wooden structures of Kengo Kuma, this will help you to avoid designing little box houses.
I'd recomend doing some more thumbnails in order to explore the city further as well as play with interesting compositions and viewer placment.
I will look into creating and implementing more free-flowing structures into the designs I have as well as new view points within further explorational thumbnails; using the suggested architects above and those I come across with more in depth research, to form a more characterized and definitive interpretation of Baucis.
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