Production Bible: Character Expression Sheets and Turnarounds.

-

Continuing on with the Production Bible, I then begun to create some expressions and turnarounds for my Lead (Raymond) and Secondary (Melvin) characters. With the turnarounds I found it difficult to draw the front perspective of each character, so the faces may need amending if taken forward into a 3D space.

Ray and Vinny together (Height Difference).


Main Character Expressions:
Rough Sketches:


Finalized Outcome:



Raymond's Turnaround:



Second Character Expressions:
Rough Sketches:

Finalized Outcome:

Melvin's Turnaround:


Comments

Post a Comment

Popular posts from this blog

Film Lecture Series #3 - Structural Theories & Storytelling + Film Review.

-
Image
For todays lecture we looked at structural theories within films. This came looking at the 3 act structure - linear narrative structure - proposed by Syd Field who modernized and wrote about Aristotle's initial theory of narrative structure who stated that  “A whole is what has a beginning and middle and end” Poetics 335BC. Field  also stated that the 3 act structure   doesn't   necessarily  need to follow Aristotle's  proposed time  schedule and that the middle act (act 2) is usually twice as long as act 1 and 3. In Field's Paradigm, he lays out the Acts and their structure of what happens and when. Exposition - introduced to the film’s main character(s) and situation. Inciting Incident -   Complication/ incident that sets events into motion. End of Act 1 : Plot Point 1 -The event in which the character takes on the central problem. Mid-Point (Act 2) - The main character faces increasingly intense and complex problems / obstacles. End of Act 2 : Plot Point 2 - Is li
Read more

King Kong (1933) - Film Review.

-
Image
Figure 1: Kong Film Poster. The creative force that is King Kong (1933) was directed and produced by Merian C. Cooper and Ernest B. Schoedsack and written by the visionary minds of James Ashmore Creelman and Ruth Rose.   Devised from the ideology of beauty and the beast, it shows Kong to lose sense of the world around him in order to ‘protect’ Ann (Fay Wray), who throughout the film since after meeting Kong is clearly distressed and anxious of Kong’s possessive tendencies. Forming a whirlwind of cinematography as it “plunders every trick in the book to create its illusions” (Ebert, 2002) for the audiences at the time of its release date. ( Figure 1 ). Figure 2: Ann kidnapped by tribes' people. At the time of King Kong’s (1933) release America was at the peak of the Great Depression (1929-1939), most citizens were unemployed and some even left homeless due to companies going out of business. So, for Hollywood to put out the blockbuster King Kong (1933) it
Read more