Character Design Session #2.

-

Today we looked at World Building and Body Language.

Within this we looked at logical World Building and how the world is designed with the types of characters in mind and how the atmosphere can connote these ideas and add further emphasis within a concept/animation.


Task 1 - exaggerating features of the Chrysler building, NY.

Task 2 - look at interiors based on the prompt provided - Roman Gladiator/scientific/clinical.


We then moved onto Body Language and how that plays a big part in character structure and how they move/ come across to viewers. For this we focused on the line of action within a character and where the weight would be placed.

Task 3 - using prompts to center the pose on.


Task 3i - using prompts to center the pose on.


Task 3ii - using prompts to center the pose on.


We then transitions this back to the earlier prompt we were given for interiors and looked at applying the same technique to the possible actions they would be doing.


Task 4 - fighting gladiator.


Task 4i - fighting gladiator.

from there we then moved onto translating this line of action into animals. I was given the prompt of and elephant; I found this quite challenging to do as a lot of the movements captured below is quite static, but come the end I was able to start to grasp the idea of how the weight would be distributed throughout the limbs.

Task 5 - Animal line of action.

Task 5i - Animal line of action.

Comments

Post a Comment

Popular posts from this blog

Film Lecture Series #3 - Structural Theories & Storytelling + Film Review.

-
Image
For todays lecture we looked at structural theories within films. This came looking at the 3 act structure - linear narrative structure - proposed by Syd Field who modernized and wrote about Aristotle's initial theory of narrative structure who stated that  “A whole is what has a beginning and middle and end” Poetics 335BC. Field  also stated that the 3 act structure   doesn't   necessarily  need to follow Aristotle's  proposed time  schedule and that the middle act (act 2) is usually twice as long as act 1 and 3. In Field's Paradigm, he lays out the Acts and their structure of what happens and when. Exposition - introduced to the film’s main character(s) and situation. Inciting Incident -   Complication/ incident that sets events into motion. End of Act 1 : Plot Point 1 -The event in which the character takes on the central problem. Mid-Point (Act 2) - The main character faces increasingly intense and complex problems / obstacles. End of Act 2 : Plot Point 2 - Is li
Read more

King Kong (1933) - Film Review.

-
Image
Figure 1: Kong Film Poster. The creative force that is King Kong (1933) was directed and produced by Merian C. Cooper and Ernest B. Schoedsack and written by the visionary minds of James Ashmore Creelman and Ruth Rose.   Devised from the ideology of beauty and the beast, it shows Kong to lose sense of the world around him in order to ‘protect’ Ann (Fay Wray), who throughout the film since after meeting Kong is clearly distressed and anxious of Kong’s possessive tendencies. Forming a whirlwind of cinematography as it “plunders every trick in the book to create its illusions” (Ebert, 2002) for the audiences at the time of its release date. ( Figure 1 ). Figure 2: Ann kidnapped by tribes' people. At the time of King Kong’s (1933) release America was at the peak of the Great Depression (1929-1939), most citizens were unemployed and some even left homeless due to companies going out of business. So, for Hollywood to put out the blockbuster King Kong (1933) it
Read more